Social problem in othello
Having succeeded in arousing him to anger, Brabantio too uses racist language to attack the relationship between Othello and his daughter. In pursuing this agenda, he attacks Othello directly by instigating him to murder Desdemona.
For a 21st century audience informed by the findings of the Royal Commission, the pathos of the play comes from how unnecessary and preventable — yet inevitable within the story — are the deaths.
Yet, the fact that the problem of race is so obvious in the play poses the danger of ignoring it, of taking it to be an over worn theme.
This could lead to a breakdown of discipline in the Venetian army, thereby jeopardizing its security through mutiny. This is probably because of the fact that the play is about Othello the Moor and he is black—or so we are made to believe.
Criticism of othello
Manchester: UP. And how does a 21st-century perspective on family violence deepen our insights and pathos on viewing the play? When viewed against the fear of racial miscegenation widely spread in the Venetian society at that time, his marriage to Desdemona is clearly a transgression. Othello wears race like a badge, and flaunts it to audience and readers alike like a medal. This morbid fear of Islamic expansionism into the heart of Europe towards the end of the seventeenth century had no doubt helped in inspiring playwrights like Shakespeare to produce plays that depict the turban wearing Turk as an enemy to be tamed and if possible converted to Christianity. People cannot choose when they are born and when they can die and so Othello should have found other ways to cope with his sadness by learning from his mistakes and helping others. There are thousands people killing themselves each week and there are many reason why people commit suicide. There is no doubt that in the world of the text, Othello has gallantly and dutifully demonstrated his unreserved love for his adopted city-state by staking his life in its defense. To this majority, he is still an outsider and a stranger—something to be used as a means to an end[fighting their wars]. Desdemona herself struggles to identify or understand her abuse. Instead society reacts to family violence as a one-off crisis, after the event. Reading view of Othello Othello was written by William Shakespeare, and first published in Significantly, Othello on his part too, seems to be deluded by his popularity among the Venetian aristocrats. In this play, Shakespeare features three major characters: Othello, Iago, and Desdemona. The issue of Race however is its power house.
However, to the extent of which each is more significant varies and this is what will be analysed in this essay. Othello, a black man, and Desdemona, a white venetian secretly eloped in the play.
Taboos in othello
In the final murder scene Othello terrorises Desdemona by directing her to pray, saying: Othello: I would not kill thy soul Desdemona: Talk you of killing? In Elizabethan society race played a prominent role in social status and the relationship between people. It is noteworthy that in the world of the text it is not only Othello the Moor that is a stranger in the Venetian society; there are other characters that are not natives of Venice. That clearly explains how Othello, Cassio, and Iago find themselves in the Venetian militia that is sent to fight the Turks in Cyprus. It attempts to show that race is a very important issue raised by Shakespeare in the play in his eagerness to highlight the racial problems confronting Europe in the seventeenth century. It is interesting to note that members of this last group mostly consists of migrant Muslims, Jews, and other people from adjacent city- states such as Florence and Cyprus. The Black Presence in English Literature. Yet, the fact that the problem of race is so obvious in the play poses the danger of ignoring it, of taking it to be an over worn theme. As a matter of fact, Iago poses the most threatening danger to the existence of the Venetian society. It probably sets the standards for judging black characters in subsequent plays, especially in England. The impact of The Battle of Alcazar on the imagination and passion of its Renaissance audience was tremendous. Romeo and Juliet Othello and Desdemona are similar and different from Romeo and Juliet in several ways, both as couples, and as individuals. Manchester: University Press. Instead it depends mostly on the services of mercenaries in defending itself against external enemies.
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